Nat King Cole
(March 17, 1919-Feb. 15, 1965)
1985 Inductee (Lifework Award)

Montgomery native Nathaniel Adams Coles – better known by his stage name, Nat King Cole – earned prominence as a jazz pianist before switching to a singing career that would ultimately carry him to musical immortality.

The son of a butcher who yearned to be a preacher, Cole relocated to Chicago with his family when his father became pastor of True Light Baptist Church. Cole learned to play music from his mother, who served as the church organist. At the age of four, Cole made his musical debut with a performance of the novelty tune “Yes, We Have No Bananas.”

Inspired by Earl Hines, Cole spent much of his teenage years in the clubs of Chicago, listening to performances by jazz artists such as Louis Armstrong and Earl “Fatha” Hines. He earned his nickname “King” (inspired by the nursery rhyme “Old King Cole”) and dropped the “s” from his surname when he began playing piano in the Chicago clubs. Eventually, Cole and his older brother Eddie formed a jazz sextet, Eddie Cole’s Swingsters, and made their recording debut for Decca Records in 1936. The brothers went on the road with the all-black musical revue Shuffle Along the following year. When the tour ended in Los Angeles, Nat Cole decided to remain there and pursue his career as jazz pianist.

Fronting the King Cole Trio, Cole wrote, sang and played piano on “That Ain’t Right,” recorded for Decca in 1941. The song became a No. 1 hit on Billboard’s Harlem Hit Parade (later the rhythm-and-blues charts) in early 1943. The success of a second single for the Excelsior label, “All for You,” resulted in a recording contract with Capitol Records. The group’s first Capitol session, “Straighten Up and Fly Right,” topped the black charts in 1944 and also crossed over to the folk and pop charts. That success was followed by “Gee, Baby, Ain’t I Good to You” and a No. 1 album, The King Cole Trio.

The trio’s R&B hits led to appearances on radio and television as well as in films. Like its predecessor, the Capitol album The King Cole Trio, Vol. II reached No. 1 in 1946. The group went on to conquer the pop charts with its recordings of the Mel Torre/Robert Wells composition “The Christmas Song (Merry Christmas to You),” which peaked at No. 3 in 1946, and “(I Love You) For Sentimental Reasons,” which climbed all the way to No. 1 that same year.

After some personnel changes, Cole’s group was briefly known as Nat “King” Cole and the Trio. Beginning with the 1950 single “Mona Lisa” – a melancholy movie theme that became both a gold record and a No. 1 pop hit – all of his subsequent releases were simply credited to Nat King Cole. By the time he released the singles “Too Young” (1951) and his signature song, “Unforgettable” (1952), Cole ranked alongside his contemporaries Frank Sinatra, Perry Como and Dean Martin as one of the premier voices in American music.

In 1956, Cole returned to Alabama to perform and was attacked on stage during a kidnapping attempt by members of the White Citizens Council. The rescued singer went on to recover and complete the show, but he vowed never to return to the South – and he never did.

Cole continued to record hits into the early ’60s, including “Smile,” “Pretend,” “A Blossom Fell,” “If I May,” “Ramblin’ Rose,” “Those Lazy, Hazy, Crazy Days of Summer,” “Route 66” and “That Sunday, That Summer.” He starred in his own NBC television variety series, The Nat King Cole Show, which ended in 1957 after only one season. He also played fellow Alabama native W.C. Handy in the 1958 film St. Louis Blues and appeared in the movies The Blue Gardenia and China Gate.

A heavy smoker, Cole died of lung cancer at the age of 45. His final film – the outrageous, Oscar-winning Western spoof Cat Ballou (1965) – was released some months after his death. In addition to the Alabama Music Hall of Fame, Cole was posthumously inducted into the Alabama Jazz Hall of Fame, Down Beat Jazz Hall of Fame and Hit Parade Hall of Fame.

Cole was awarded with a posthumous Grammy Lifetime Achievement Award in 1990. A year later, his daughter – singer Natalie Cole – had an unexpected hit with her late father through a duet performance of “Unforgettable” that mixed the past voice of the father with the present voice of the daughter. The single and album Unforgettable – made up of Natalie Cole’s contemporary versions of her father’s classic hits – earned seven Grammy Awards in 1992.

Source: Alabama Music Hall of Fame

 


 

Born: March 17, 1919 | Died: February 15, 1965

Nat King Cole was one of the most popular singers ever to hit the American charts. A brilliant recording and concert artist during the 40's, 50's and 60's, he attracted millions of fans around the world with a sensitive and caressing singing voice that was unmistakable.

Cole has a rare blend of technical musical knowledge and sheer performing artistry topped off with an abundance of showmanship. In the 23 years that he recorded with Capitol Records, he turned out hit after amazing hit - nearly 700 songs - all the while managing to remain a gentle, tolerant and gracious human being.

Nathaniel Adams Coles was born in Montgomery, Alabama on March 17, 1919. He was the son of Baptist minister, Edward James Coles, and mother, Perlina Adams, who sang soprano and directed the choir in her husband's church. Cole grew up in Chicago, met and married a girl in New York; they had five children and lived in Hancock Park in Los Angeles.

He had a distinctive voice, which has been compared to the quality of velvet, a pussy willow, a calm evening breeze, a still summer morning and a soft snow fall. In the case of Nat King Cole, who dropped an “s” off his last name and put a nickname in the middle, the lyricism is merited.

The first sign that Cole was destined for a musical life was at age four, when he was able to pick out a fairly good two-handed rendition of “Yes, We Have No Bananas.” He later played the organ in his father's church. In high school he organized a 14-piece band, with himself as pianist and leader.

In 1937, after finishing high school, Cole joined a road company of the revue, “Shuffle Along.” The show broke up a few months later in Long Beach, California, when a sticky-fingered member of the troop made off with the show's $800 treasury. He also wrote a song called “Straighten Up and Fly Right,” which he sold for $50.

Cole spent the next period looking for work and not having much luck. Finally a night club manager offered him $75 per week for an instrumental quartet. He hired a guitarist, bass fiddle player and a drummer. On opening night the drummer didn't show up but the manager took trio and didn't cut the price.

Even though instrumental trios were not highly popular in those days, the King Cole Trio developed a large and faithful following. With Cole on the piano and later, vocals, Oscar Moore on guitar and Johnny Miller on bass, the trio eventually played the best clubs in the country and had their own radio show. They eventually won awards from every music publication in the U.S., and their jazz records are now treasured collectors' items.

A new career was inadvertently created for Cole when a tipsy customer at a small Hollywood bistro insisted on hearing him sing “Sweet Lorraine.” To quiet the drunk, he sang the tune and thus launched his legendary singing career.

In 1942, Cole became one of the first artists to join Capitol Records, then a fledgling company. With his King Cole Trio, he recorded such popular songs as “Straighten Up and Fly Right,” “Sweet Lorraine” and “Embraceable You.” For the remainder of this life, Cole always sang with the trio even when he began to sing with an orchestra.

“Capitol and I felt that a big band behind me would sell more records,” said Cole. 'Nature Boy' was the first of these and it proved we were right. “He never regretted the decision.”

Cole became one of the world's leading record-sellers. It is not correct to say that every Nat King Cole recording was a hit. There was one, in 1953, that was a decided bust. But, as far as anyone at Capitol can recall, that was the only one to reach flop status. From the time he recorded one of his very first discs, “Straighten Up and Fly Right,” through “Mona Lisa,” “Too Young,” “Route 66,” “Non Dimenticar,” “Rambling Rose,” and countless others, Cole probably had more hit records than any other artist of his day, including the number- one-selling holiday recording of all time, The Christmas Song.

Cole's consistent ability to make best-selling records prompted one record columnist to remark that Nat's recordings were “practically legal tender.”

In 1956, Cole had his own network television show on NBC-TV. The “Nat King Cole Show” attracted a wide audience and celebrity guests like Ella Fitzgerald, Tony Bennett and Mel Torme. It could not, however, attract national advertisers willing to back a show hosted by a black. Rather than submit to an airtime change, Cole abandoned the show after 64 weeks. In December 1957, Cole telecast his last show. It was a bitter disappointment. He put it best when he explained his TV demise, “Madison Avenue,” he said, “is afraid of the dark.”

Throughout Cole's career there was a woman who supported him with love and enthusiasm. His wife, the former Maria Ellington, was a vocalist in Duke Ellington's (no relation) band. She met Cole in 1947 when they were both performing at the Club Zanzibar in New York, and then ten months later they were married. They had five children - Carole, Natalie, Kelly and twins, Timolin and Casey.

When Nat King Cole died of lung cancer on February 15, 1965, he was only 45. It was a loss felt all over the world.

“Nat was a very humble man.” Maria said after the death of her husband. “I don't think he ever realized what a great international talent he had become.”

He made us music millionaires while he lived, and he left a musical legacy to generations to come. All over the world today, his songs are played and as long as those sounds continue, Nat King Cole will live.

Source: http://www.allaboutjazz.com/php/musician.php?id=5805

 


Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, was an American musician who first came to prominence as a leading jazz pianist. Although an accomplished pianist, he owes most of his popular musical fame to his soft baritone voice, which he used to perform in big band and jazz genres. He was one of the first black Americans to host a television variety show, and has maintained worldwide popularity since his untimely death; he is widely considered one of the most important musical personalities in United States history.

 

Nathaniel Adams Coles was born in Montgomery, Alabama, on Saint Patrick's Day in 1919[1] (some sources erroneously list his birth year as 1916 or 1917). At the age of 4,[2] he moved with his family moved to Chicago, Illinois. There his father, Edward Coles, became a Baptist minister. Cole learned to play the organ from his mother, Perlina Coles, the church organist. His first performance, at age four, was of "Yes! We Have No Bananas". He began formal lessons at the age of 12, eventually learning not only jazz and gospel music but also European classical music, performing, as he said, "from Johann Sebastian Bach to Sergei Rachmaninoff".

Cole had three brothers - Eddie, Ike, and Freddy. Cole's half-sister, Joyce Cole, married Robert Doak, of Robert Doak & Associates, Inc., art supplier.

The family lived in the Bronzeville neighborhood of Chicago. Cole would sneak out of the house and hang around outside the clubs, listening to artists such as Louis Armstrong, Earl Hines, and Jimmie Noone. He participated in Walter Dyett's renowned music program at DuSable High School.

Inspired by the playing of Earl Hines, Cole began his performing career in the mid 1930s while still a teenager, adopting the name "Nat Cole". His older brother, Eddie Cole, a bass player, soon joined Cole's band, and they made their first recording in 1936 under Eddie's name. They were also regular performers at clubs. In fact, Cole acquired his nickname "King" performing at one jazz club, a nickname presumably reinforced by the otherwise unrelated nursery rhyme about Old King Cole. He was also a pianist in a national tour of Broadway theatre legend Eubie Blake's revue, "Shuffle Along". When it suddenly failed in Long Beach, California, Cole decided to remain there. He would later return to Chicago in triumph to play such venues as the famed Edgewater Beach Hotel.

Cole and three other musicians formed the "King Cole Swingers" in Long Beach and played in a number of local bars before getting a gig on the Long Beach Pike for US$90 ($1,413 in current dollar terms) per week.

In January 1937, Cole married dancer Nadine Robinson, who was also in the musical Shuffle Along, and moved to Los Angeles. The trio consisted of Cole on piano, Oscar Moore on guitar, and Wesley Prince on double bass. The trio played in Failsworth throughout the late 1930s and recorded many radio transcriptions. Cole's role was that of piano player and leader of the combo.

It is a common misconception that Cole's singing career did not start until a drunken barroom patron demanded that he sing "Sweet Lorraine". In fact, Cole has gone on record saying that the fabricated story "sounded good, so I just let it ride." Cole frequently sang in between instrumental numbers. Noticing that people started to request more vocal numbers, he obliged. Yet the story of the insistent customer is not without some truth. There was a customer who requested a certain song one night, but it was a song that Cole did not know, so instead he sang "Sweet Lorraine". The trio was tipped 15 cents for the performance, a nickel apiece (Nat King Cole: An Intimate Biography, Maria Cole with Louie Robinson, 1971).

During World War II, Wesley Prince left the group and Cole replaced him with Johnny Miller. Miller would later be replaced by Charlie Harris in the 1950s. The King Cole Trio signed with the fledgling Capitol Records in 1943. Revenues from Cole's record sales fueled much of Capitol Records' success during this period. The revenue is believed to have played a significant role in financing the distinctive Capitol Records building on Hollywood and Vine in Los Angeles. Completed in 1956, it was the world's first circular office building and became known as "the house that Nat built".

Cole was considered a leading jazz pianist, appearing, for example, in the first Jazz at the Philharmonic concerts (credited on the Mercury Record labels as "Shorty Nadine," apparently derived from the name of his wife at the time). His revolutionary lineup of piano, guitar, and bass in the time of the big bands became a popular setup for a jazz trio. It was emulated by many musicians, among them Art Tatum, Oscar Peterson, Ahmad Jamal, and blues pianists Charles Brown and Ray Charles. He also performed as a pianist on sessions with Lester Young, Red Callender, and Lionel Hampton. The Page Cavanaugh Trio, with the same setup as Cole, came out of the chute about the same time, at the end of the war. It's still a tossup as to who was first, although it is generally agreed that the credit goes to Cole. Cole's piano kept rhythm so well that it eliminated the need for a drummer.

Cole's first mainstream vocal hit was his 1943 recording of one of his compositions, "Straighten Up and Fly Right", based on a black folk tale that his father had used as a theme for a sermon. Johnny Mercer invited him to record it for the fledgling Capitol Records label. It sold over 500,000 copies, proving that folk-based material could appeal to a wide audience. Although Cole would never be considered a rocker, the song can be seen as anticipating the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.

Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period by hits such as "The Christmas Song" (Cole recorded that tune four times: on June 14, 1946, as a pure Trio recording, on August 19, 1946, with an added string section, on August 24, 1953, and in 1961 for the double album The Nat King Cole Story; this final version, recorded in stereo, is the one most often heard today), "Nature Boy" (1948), "Mona Lisa" (1950), "Too Young" (the #1 song in 1951),[5] and his signature tune "Unforgettable" (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his jazz roots; as late as 1956, for instance, he recorded an all-jazz album After Midnight. Cole had one of his last big hits in 1963, two years before his death, with the classic "Those Lazy-Hazy-Crazy Days of Summer", which reached #6 on the Pop chart.

On November 5, 1956, The Nat King Cole Show debuted on NBC-TV. The Cole program was the first of its kind hosted by an African-American, which created controversy at the time.[6]

Beginning as a 15-minute pops show on Monday night, the program was expanded to a half hour in July 1957. Despite the efforts of NBC, as well as many of Cole's industry colleagues—many of whom, such as Ella Fitzgerald, Harry Belafonte, Frankie Laine, Mel Tormé, Peggy Lee, and Eartha Kitt worked for industry scale (or even for no pay)[6] in order to help the show save money—The Nat King Cole Show was ultimately done in by lack of a national sponsorship.[6] Companies such as Rheingold Beer assumed regional sponsorship of the show, but a national sponsor never appeared.[6]

The last episode of "The Nat King Cole Show" aired December 17, 1957. Cole had survived for over a year, and it was he, not NBC, who ultimately decided to pull the plug on the show.[7] NBC, as well as Cole himself, had been operating at an extreme financial loss.[citation needed] Commenting on the lack of sponsorship his show received, Cole quipped shortly after its demise, "Madison Avenue is afraid of the dark."[citation needed] This statement, with the passing of time, has fueled the urban legend that Cole's show had to close down despite enormous popularity. In fact, the Cole program was routinely beaten by the competition at ABC, which was then riding high with its travel and western shows.[citation needed] In addition, musical variety series have always been risky enterprises with a fickle public; among the one-season casualties are Frank Sinatra in 1957, Judy Garland in 1963, and Julie Andrews in 1972.

In January 1964, Cole made one of his final television appearances on The Jack Benny Program. In his typically magnanimous fashion, Benny allowed his guest star to steal the show. Cole sang “When I Fall in Love” in perhaps his finest and most memorable performance. Cole was introduced as “the best friend a song ever had” and traded very humorous banter with Benny. Cole highlighted a classic Benny skit in which Benny is upstaged by an emergency stand-in drummer. Introduced as Cole’s cousin, five-year-old James Bradley Jr. stunned Benny with incredible drumming talent and participated with Cole in playful banter at Benny’s expense. It would prove to be one of Cole's last performances.

Cole fought racism all his life and refused to perform in segregated venues. In 1956, he was assaulted on stage during a concert in Birmingham, Alabama with the Ted Heath Band, (while singing the song "Little Girl") by three members of the North Alabama White Citizens Council (a group led by Education of Little Tree author Asa "Forrest" Carter, himself not among the attackers), who apparently were attempting to kidnap him. The three male attackers ran down the aisles of the auditorium towards Cole and his band. Although local law enforcement quickly ended the invasion of the stage, the ensuing melée toppled Cole from his piano bench and injured his back. Cole did not finish the concert and never again performed in the South. A fourth member of the group who had participated in the plot was later arrested in connection with the act. All were later tried and convicted for their roles in the crime.[8]

In 1956, he was contracted to perform in Cuba and wanted to stay at the Hotel Nacional de Cuba, Havana, but was not allowed to because it operated a color bar. Cole honored his contract, however, and the concert at the Tropicana was a huge success. The following year, he returned to Cuba for another concert, singing many songs in Spanish. There is now a tribute to him in the form of a bust and a jukebox in the Hotel Nacional.[9]

In 1948, Cole purchased a house in the all-white Hancock Park neighborhood of Los Angeles. The Ku Klux Klan, still active in Los Angeles well into the 1950s, responded by placing a burning cross on his front lawn. Members of the property-owners association told Cole they did not want any undesirables moving in. Cole retorted, "Neither do I. And if I see anybody undesirable coming in here, I'll be the first to complain." [10]

Throughout the 1950s, Cole continued to rack up hit after hit, including "Smile", "Pretend", "A Blossom Fell", and "If I May". His pop hits were collaborations with well-known arrangers and conductors of the day, including Nelson Riddle,[3] Gordon Jenkins, and Ralph Carmichael. Riddle arranged several of Cole's 1950s albums, including his first 10-inch long-play album, his 1953 Nat King Cole Sings For Two In Love. In 1955, his single "Darling Je Vous Aime Beaucoup" reached #7 on the Billboard chart. Jenkins arranged Love Is the Thing, which hit #1 on the album charts in April 1957.

In 1958, Cole went to Havana, Cuba to record Cole Español, an album sung entirely in Spanish. The album was so popular in Latin America, as well as in the USA, that two others of the same variety followed: A Mis Amigos (sung in Spanish and Portuguese) in 1959 and More Cole Español in 1962. A Mis Amigos contains the Venezuelan hit "Ansiedad," whose lyrics Cole had learned while performing in Caracas in 1958. Cole learned songs in languages other than English by rote.

After the change in musical tastes during the late 1950s, Cole's ballad singing did not sell well with younger listeners, despite a successful stab at rock n' roll with "Send For Me" (peaked at #6 pop). Along with his contemporaries Dean Martin, Frank Sinatra, and Tony Bennett, Cole found that the pop singles chart had been almost entirely taken over by youth-oriented acts. In 1960, Nat's longtime collaborator Nelson Riddle left Capitol Records for Frank Sinatra's newly formed Reprise Records label. Riddle and Cole recorded one final hit album, Wild Is Love, based on lyrics by Ray Rasch and Dotty Wayne. Cole later retooled the concept album into an off-Broadway show, "I'm With You."

Cole did manage to record some hit singles during the 1960s, including the country-flavored hit "Ramblin' Rose" in August 1962 as well as "Dear Lonely Hearts", "Those Lazy-Hazy-Crazy Days Of Summer" (his final hit, reaching #6 pop), and "That Sunday, That Summer".

Cole performed in many short films, sitcoms, and television shows and played W. C. Handy in the film St. Louis Blues (1958). He also appeared in The Nat King Cole Story, China Gate, and The Blue Gardenia (1953). Cat Ballou (1965), his final film, was released several months after his death.

Cole was a heavy smoker of Kool menthol cigarettes, believing that smoking up to three packs a day gave his voice the rich sound it had (Cole would smoke several cigarettes in rapid succession before a recording for this very purpose). The many years of smoking caught up with him, resulting in his death from lung cancer on February 15, 1965 at St. John's Hospital in Santa Monica, California. Cole was 45 years old.

Cole's funeral was held at St. James Episcopal Church on Wilshire Boulevard in Los Angeles. His remains were interred inside Freedom Mausoleum at Forest Lawn Memorial Park in Glendale. His last album, L-O-V-E, was recorded in early December 1964—just a few days before he entered the hospital for cancer treatment—and was released just prior to his death. It peaked at #4 on the Billboard Albums chart in the spring of 1965. A "Best Of" album went gold in 1968. His 1957 recording of "When I Fall In Love" reached #4 in the UK charts in 1987.

In 1983, an archivist for EMI Electrola Records, EMI (Capitol's parent company) Records' subsidiary in Germany, discovered some songs Cole had recorded but that had never been released, including one in Japanese and another in Spanish ("Tu Eres Tan Amable"). Capitol released them later that year as the LP "Unreleased."

Cole was inducted into both the Alabama Music Hall of Fame and the Alabama Jazz Hall of Fame. In 1990, he was awarded the Grammy Lifetime Achievement Award, and in 1997 was inducted into the Down Beat Jazz Hall of Fame. In 2007, he was inducted into the Hit Parade Hall of Fame.

In 1991, Mosaic Records released "The Complete Capitol Recordings of the Nat King Cole Trio," an 18-compact-disc set consisting of 349 songs. (This special compilation also was available as a 27 LP set.)

Cole's youngest brother, Freddy Cole, and Cole's daughter Natalie are also singers. In the summer of 1991, Natalie Cole and her father had a hit when Natalie mixed her own voice with her father's 1961 rendition of "Unforgettable" as part of a tribute album to her father's music. The song and album of the same name won seven Grammy awards in 1992.

There has been some confusion as to Cole's actual year of birth. Cole himself used four different dates on official documents: 1915, 1916, 1917, and 1919. However, Nathaniel is listed with his parents and older siblings in the 1920 U.S. Federal census for Montgomery's Ward 7 and his age is given as nine months old. Since this is a contemporary record, it is very likely he was born in 1919. This is also consistent with the 1930 census which finds him at age 11 with his family in Chicago's Ward 3. In the 1920 census, the race of all members of the family (Ed, Perlina, Eddie M., Edward D., Evelina and Nathaniel Coles) is recorded as mulatto. Cole's birth year is also listed as 1919 on the Nat King Cole Society's web site.

Cole's first marriage, to Nadine Robinson, ended in 1948. On March 28, 1948 (Easter Sunday), just six days after his divorce became final, Cole married singer Maria Hawkins Ellington. Although Maria had sung with Duke Ellington's band, she was not related to Duke Ellington. The Coles were married in Harlem's Abyssinian Baptist Church by Adam Clayton Powell, Jr. They had five children: Natalie (born 1950); adopted daughter Carole (the daughter of Maria's sister), (1944–2009), who died of lung cancer at 64; adopted son Nat Kelly Cole (1959–1995), who died of AIDS at 36;[11] and twin girls Casey and Timolin (born 1961).

Cole had affairs throughout his marriages. By the time he developed lung cancer, he was estranged from his wife Maria and living with actress Gunilla Hutton, best known as Nurse Goodbody of "Hee Haw" fame. But he was with Maria during his illness, and she stayed with him until his death. In an interview, Maria expressed no lingering resentment over his affairs. Instead, she emphasized his musical legacy and the class he exhibited in all other aspects of his life.

An official United States postage stamp featuring Cole's likeness was issued in 1994.[2]

In 2000, Cole was inducted into the Rock and Roll Hall of Fame as one of the major influences for early Rock and Roll.[2]

Cole sang at the 1956 Republican National Convention in the Cow Palace, San Francisco, California, on August 23, 1956. There, his "singing of 'That's All There Is To That' was greeted with applause." [12] He was also present at the Democratic National Convention in 1960 to throw his support behind President John F. Kennedy. Cole was also among the dozens of entertainers recruited by Frank Sinatra to perform at the Kennedy Inaugural gala in 1961. Cole frequently consulted with President Kennedy (and later President Johnson) on civil rights.

References

^ Nat King Cole Society

^ a b c "Nat King Cole". Nat King Cole. Retrieved 2010-03-04.[dead link]

^ a b Show 22 - Smack Dab in the Middle on Route 66: A skinny dip in the easy listening mainstream. [Part 1] : UNT Digital Library

^ A-D — University of North Texas Libraries

^ "''Billboard'' website". Billboard.com. Retrieved 2010-03-04.

^ a b c d Shulman, Arthur; Youman, Roger (1966). How Sweet It Was. Television: A Pictorial Commentary. Bonanza Books, a division of Crown Publishers.. Book has no page numbers; source: Chapter III, The Sounds of Music

^ Gourse, Leslie, Unforgettable: The Life and Mystique of Nat King Cole. New York: St. Martin's Press, 1991. Gourse quotes Cole in an interview he gave in Hollywood to announce that he was leaving television because of advertising agencies: "The network supported this show from the beginning. From Mr. Sarnoff on down, they tried to sell it to agencies. They could have dropped it after the first thirteen weeks. Shows that made more money than mine were dropped. They offered me a new time at 7:00 p.m. on Saturdays on a cooperative basis, but I decided not to take it. I feel played out." (p. 185)

^ Eyewitness Account published in The Birmingham News. Felts, Jim. Letter to the Editor. December 15, 2007.

^ "Cuba Now". Cuba Now. 2007-04-30. Retrieved 2010-03-04.[dead link]

^ Levinson, Peter J. (2001). September in the rain: the life of Nelson Riddle. New York: Billboard Books. p. 89. ISBN 0-8230-7672-5. Retrieved 2010-10-10.

^ "TCM". TCM. Retrieved 2010-03-04.

^ Official Report of the Proceedings of the Twenty-Sixth Republican National Convention, August 20–23, 1956, p. 327

External links

The Nat King Cole Society, a non-profit organization dedicated to preserving his memory

Discography at Starpulse.

Discography at Classic TV Info.

The Unfortgettable Nat King Cole

NPR Jazz Profiles - The Pianist.

NPR Jazz Profiles - The Singer.

Biography at Tiscali Music.

Biography at everything2.

Allmusic entry.

The Nat King Cole Show Episode Guide at Classic TV Info.

Nat King Cole at Find a Grave

Nat King Cole's Everytime I Feel The Spirit album information at Discogs

Official website of the Alabama Jazz Hall of Fame

Nat King Cole at the Internet Movie Database

The Nat King Cole Show at the Internet Movie Database

Nat "King" Cole article in the Encyclopedia of Alabama

Wikiquote has a collection of quotations related to: Nat King Cole

 

 

 

 

 

 

 

 

 

Subscribe to Newsletter

Rick Carter Radio - All Alabama Music

Accepting submissions and adding them daily. Artists can send their songs in MP3's to This email address is being protected from spambots. You need JavaScript enabled to view it. One song per email. Graphics and song and artist info should be included of course.

This space
for rent!

Contact:
This email address is being protected from spambots. You need JavaScript enabled to view it.